12/18/2022 0 Comments Daft punk the weekend starboy![]() He also discusses working with Kendrick Lamar, who has a guest verse on “Sidewalks”: I’m like, “I’m writing this.” Literally wrote Starboy in 30 minutes. And while I’m recording, through the talkback I can here some sort of feedback, sort of drum loop every time Thomas is like “OK, next take.” So I’m like, what the fuck is that? What is that sound? So I walk in and it’s Guy-Man on his phone, on his laptop or something, and it’s the drums of “Starboy.” We’re like, “What is that?” He’s like, “It’s just something on my phone,” and I’m like, “Put that shit on the fucking speakers, let me hear that.” And it’s just this crazy monstrous loop, so I put “I Feel It Coming” to the side. Guy-Man and Thomas were kind of directing me, they want it to sound as authentic as possible. Went into the booth and started recording it. I was writing the lyrics to “I Feel It Coming” and then probably finished it in about an hour. It was one of the tracks they were playing for me and I was freestyle over it and trying to find a vibe with it. I came into the session and Thomas and Guy-Man had already started a track, which was “I Feel It Coming,” which was just the music. He’s already talked about working with Daft Punk, who feature on two songs, and this time he had even more to say, revealing that he wrote “ Starboy” in 30 minutes while he was supposed to be working on “ I Feel It Coming“: It is the one track on this overlong, but unignorable album that just about manages to turn Tesfaye into yearning boyfriend material.The Weeknd’s new album Starboy is imminent, and he recently sat down with Zane Lowe to discuss the LP on Beats 1. ![]() The French robots return for I Feel It Coming, a sweet-natured coda to a mixed bag. Just as startling is the song’s amazing cheesewire electric guitar flurry. Much more convincing are the harder-hitting autobiographical tracks – chief among them the exceptional Sidewalks (“I ran out of tears when I was 18”), on which Kendrick Lamar lands a typically pulverising verse. He respects one woman, though: Lana Del Rey, who has a couple of cameos. What sounds like a tale of death-wish in-car fellatio rings truer: “Everybody said it would hurt in the end/ But I feel nothing,” sings Tesfaye on Ordinary Life. If the lengthy, 18-track Starboy has downsides, they are those puzzling tracks in which Tesfaye tries to persuade his listenership that he feels genuine emotions for girls when his entire canon attests otherwise. Instead, it’s a fairly standard R&B ballad, co-produced by Benny Blanco and Cashmere Cat, in which Tesfaye attempts to claw his way towards a sensitive loverman persona. Watch MANIA, a short film featuring tracks from Starboy.īy this point you’re almost expecting a song called True Colors to sample Cyndi Lauper. According to Tesfaye, the song began life as a country tune it also quotes 80s pop bagatelle Talking In Your Sleep by the Romantics. Tesfaye has always been musically omnivorous, sampling Siouxsie and the Banshees for House of Balloons/Glass Table Girls Starboy’s most ardent fanboy moment, the lower-register gem Secrets, finds him working with Roland Orzabal, and sampling Tears for Fears. Once again, Tesfaye brings his A-game Michael Jackson tics, but also takes his famed falsetto down a couple of octaves. Tesfaye, a formerly shadowy small-hours auteur, collaborated with glitzy super-producer Max Martin for the Weeknd’s breakout hit of 2015, Can’t Feel My Face, and Martin is back on board with this track – a rubber-coated party tune that out-synth-funks Daft Punk. Just as startling is its cheesewire electric guitar flurryīy now, Starboy’s electric collaboration with Daft Punk has lodged some of the Weeknd’s intentions firmly in the airwaves, and there’s another huge tune waiting in the wings – a jaw-dropper called Rockin’. Kendrick Lamar lands a pulverising verse on Sidewalks. Abel Tesfaye may play at being ambivalent about his superstar status, but his third album still has mainstream massiveness firmly in its crosshairs, with even more overt pop influences to the fore. ![]() Recorded music doesn’t make much money – touring does.Ī year on from Beauty Behind the Madness, his Grammy-winning, US triple-platinum pop rebirth, Starboy shows off the fruits of a solid business decision. C anadian R&B singer the Weeknd pulled out of Rihanna’s European tour back in March to record more music – a move that flew in the face of contemporary pop economics.
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